Granada Heights Friends Church
choir sang at Disneyland’s Candlelight processional this year. We joined the
masses of singers—a swaying sea of golden robes, white collars, and flickering
candles—walking to the cadence of the hymns we sang beneath main street’s pine
swags and wreaths all lit up with green and gold and red lights. I had a clear
shot down the train tracks, straight between the rows of singers to the
pinnacle-like Christmas tree decked out in ornaments, lights, and toys.
Our lines divided at the tree to
line up on stage, which was impossible to see in the darkness. The only lights
were the candles in our hands and the LED flashlights used by the Disneyland
workers to light up any bumps on our road. I kept a keen eye on the ground appearing
from under the yellow robe of the high school student in front of me.
I also can’t tell you how we sounded. I was
surrounded by sopranos. If a lone alto hadn’t been singing in my ear, I
would’ve been singing the traditional Christmas songs as a soprano too. It was
difficult taking it all in. But what I did notice was the applause after Kurt
Russell read:
"Nineteen long centuries
have come and gone, and today He is a centerpiece of the human race and leader
of mankind’s progress. All the armies that ever marched, all the navies that
were ever built; all the parliaments that ever sat and all the kings that ever
reigned, put together, have not affected the life of man upon this earth as
powerfully as that one solitary life."
I saw the blinking cameras filming
the show and I saw the audience standing to the Hallelujah chorus. I don’t know
if they did that because the king came in late to that song or because the king
was startled from his seat. Whatever the story, the audience in 2012 stood at
Disneyland as if the king had just come in, the real king. I saw a lady dabbing
her eyes and then I couldn’t sing anymore. It all meant something more. I’d
saved my fading voice to sing this song, and now I couldn’t because it was
powerful. It was beautiful.
Things seem to matter more these
days.
There were five fat birds on the
power lines this morning. Our neighbor fed his four Chihuahua’s on
his red painted porch. We can see him outside Lee’s window. Stratus clouds hung
low over Whittier like a wet sponge, and we left our Christmas lights on
overnight; Lee noticed. I was showing him the trash truck, but instead he
starred at the lights. It matters because he sees it, and I do too.
It matters that my shoes aren’t
double knotted and that the empty Airborn tube rolled under the table and that
the carrots in the soup are soft. The vacuum is loud. The dishes in the
dishwasher are dirty. The caps are on my
pens. Nasturtiums are edible. The hummingbird feeder is empty. The wind is
blowing.
This year Phil got us a Christmas
tree. We haven’t had one for the last three years because one wouldn’t fit in
our studio. We’d adorned the spiral staircase instead. This year we put a four-foot Douglas
Fir on top of our end table and decorated it with Grandma Stevens’ ornaments.
Lee stares at the lights and reaches for the ornaments when we lift him up.
There’s a wreath in our window and an advent calendar on the bar. It’s the same
calendar that I grew up with. It means something now. It’s home. It’s
Christmas.
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